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Federico Bonelli 2019-01-16 12:46:32 +01:00
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@ -125,8 +125,36 @@ Semiotic square of virtuose creation
The circularity suggests that any moment represented can be a starting point for agencies that focus on the process rather than a final result. The Distribution moment here acquires the form of a free and open market where interactions can be structured, traced and categorised: brilliant examples for such distribution models are on-line platforms like Soundcloud for musicians or Github for programmers, whose popularity and sustainability is noticeable despite the apparent lack of a “business model” and even the absence for monetisation through advertisements. Appropriation thus becomes not a moment for the restriction and management of author rights, but brings us back to the meaning of “Appropriate Technology” and includes the contextual and distributed agency for translations, adaptations, customisations and user experience improvements within certain communities. Creation follows Appropriation and indicates that the moment of authorship is closely bound to that of appropriated education as an intelligible passage of values between a concrete instance of knowledge and the individual. The individual or collective moment of Creation is less isolated from other moments and, rather than representing the enclosing act of immaterial property (often and wrongly referred to as intellectual property, it highlights that creation by individual or collectives depends on how vibrant is the context of Sharing and how effective is the Appropriation of value circulation within the language and schemes that form practitioners. The circularity suggests that any moment represented can be a starting point for agencies that focus on the process rather than a final result. The Distribution moment here acquires the form of a free and open market where interactions can be structured, traced and categorised: brilliant examples for such distribution models are on-line platforms like Soundcloud for musicians or Github for programmers, whose popularity and sustainability is noticeable despite the apparent lack of a “business model” and even the absence for monetisation through advertisements. Appropriation thus becomes not a moment for the restriction and management of author rights, but brings us back to the meaning of “Appropriate Technology” and includes the contextual and distributed agency for translations, adaptations, customisations and user experience improvements within certain communities. Creation follows Appropriation and indicates that the moment of authorship is closely bound to that of appropriated education as an intelligible passage of values between a concrete instance of knowledge and the individual. The individual or collective moment of Creation is less isolated from other moments and, rather than representing the enclosing act of immaterial property (often and wrongly referred to as intellectual property, it highlights that creation by individual or collectives depends on how vibrant is the context of Sharing and how effective is the Appropriation of value circulation within the language and schemes that form practitioners.
### 3.5. NGI-Identity (/Communication/4.NGI-Identity) ### 3.5. NGI-Identity (/Communication/4.NGI-Identity)
### 3.6. Software Documentation (/Communication/5.SoftwareDocumentation) ### 3.6. Software Documentation (/Communication/5.SoftwareDocumentation)
> Fill in guidelines for acceptable and good documentation, role of public and private GIT etc
### 3.7. TV (/Communication/6.TV) ### 3.7. TV (/Communication/6.TV)
Events, pitches of teams at events, presentation and webseminars, tutorials and other type of material for communication takes the form of visual. We call it here TV.
We are available to procure a professional WEB TV studio and a crew to assemble high quality interviews. The following description is to facilitate and integrate the production process of video material to be shared via social media, in streaming or for public projection or reference.
#### Tutorial/Web Seminar setup
- From fixed position (Office)
- People: 1 person: producer
- Necessary: vdc-server, special setup for laptops, audio mixer and microphones, streaming server, recording
#### RECORDING/STREAM FROM CONFERENCE CENTER
- fixed location meeting/presentation setup, 2 cameras on tripod, streaming and HD recording of the session for two cameras plus beamer signal for presentation, plus look and feel of channel per project
- People: 2 people (Cameraman, Producer)
- Necessary: Internet connection, power, signal out of mixer desk for audio
- example work: packhuijs de zwijger for decode night
- extra; Social media to screen (+1 person)
#### INTERVIEW
- On location, light and construction of the set, make up artist, two cameras, interviewer/producer, sound and editing
- People: 3 people: cameraman, producer and editor
- Necessary: Internet connection, power, signal out of mixer desk for audio
- example work: packhuijs de zwijger for decode night
#### SPECIAL PRODUCTION
- Any kind of on-site or off-site production
### 3.8. Gadgets (/Communication/7.Gadgets) ### 3.8. Gadgets (/Communication/7.Gadgets)
### 3.9. Other (/Communication/8.Others) ### 3.9. Other (/Communication/8.Others)
### 3.10. Projects-firstround (/Communication/9.projects-firstround) ### 3.10. Projects-firstround (/Communication/9.projects-firstround)
@ -197,11 +225,13 @@ Here a selection of the materials of the participants: names and logos, short pi
- Social - Social
### 7.1. Sharers and influencers ### 7.1. Sharers and influencers
Founding Box Community Influencer List - Founding Box Community
A list of distribution by email - Influencer List
- Internal mailinglist
- External Mailing list
### 7.2. Press ### 7.2. Press
How to treat press in events, in press releases How to treat press in events, in press releases, modules and templates
### 7.3. NGI communication and other Public channels of EU ### 7.3. NGI communication and other Public channels of EU
Overview and guidelines Overview and guidelines